Mehr Licht!

Angelo Morbelli, Goethe morente (1880)

A Fortunate Era

Willibrord Verkade, Yesterdays of an Artist-Monk, tr. John Stoddard (New York: P. J. Kenedy & Sons, 1930), p. 177:

Travel is for man a delight. It is so sweet to escape for a time from the regular round of domestic duties and, in the sense that one is a stranger in the country through which one is passing, to be free. Formerly every journeyman used to go on his travels, after he had, as an apprentice, served his master for years in affectionate submissiveness. That was indeed a happy time, which was not passed in haste and workingmen’s disorders. A fortunate era, when the seriousness of old age was mellowed by the recollection of the joyful years of youthful wandering, and when the memory of all the countries, with their cities and villages, through which one had then travelled, wove a brilliant background for the stage of later life.

A related post: Tour de France

Always Look on the Bright Side

Pietro Annigoni, Vita (1960)

Some Sporting Event or Stupid Show

Henry Suso, Wisdom's Watch Upon the Hours (Book II, Chapter I), tr. Edmund Colledge (Washington DC: The Catholic University of America Press, 1994), pp. 236-237:

What the Disciple found in this mansion amazed him, and made him want to laugh. For there was what seemed like a silver ball that had fallen among them from the sky, rolling around, which by its beauty and costliness made all of them gaze on it in love and longing, for it promised glory and honor to those who could possess it. And when one outstanding teacher had it in his hand, and through this his fame resounded through the whole world, and his teachings shone brighter than all others, like a rose without thorn and a cloudless sun, many, seeing this and envying it, tried in every way they might to snatch the ball from his hand. Now they threw sharp darts at him, and now hard stones, but it did not help them, for they were inflicting astonishing hurts on themselves, and wounding themselves with their own darts. When this ball bounced round among them, those who were present were at pains, not indeed to grasp it for themselves, but rather to do all they could to knock it out of each other’s hands, and steal it away and advertise that someone else did not have it. They offered no explanations of what it was, but they wrapped it up in their own implications. And there were among them, it is shameful to say, astonishing arguments and uproars and contradictions about this ball, and in the minds of many who were listening this produced great boredom and distaste. For they derived no benefit from these things, but complained that they were at some sporting event or stupid show. And some of them mocked the others, and they wore themselves out with wordy warfare, and attacked each other and sparred like fighting bantams.

And when the Disciple asked from the bystanders what all this spectacle was about, someone replied that this silver ball was supposed to signify the truth of Sacred Scripture, lucid and clear-sounding and incorruptible. And he added: “Some present-day scholars spend more pains in attacking it than seeking it, for some of them do not seem to be working to acquire it, but trying with all their might to prove that someone else does not possess that truth at all, and by this they try to advance themselves and put down someone else. And so they manufacture refutations, rejoinders and astonishing newfangled opinions, which do more to surprise those who hear them than to give them anything useful. For the truth which they should have unfolded for their listeners they wrap up in what they are driving at and their unheard-of language, and for the sake of empty display for the most part they hide the truth out of sight.”

Hieronymus Bosch, The Conjurer (c. 1502)

Related posts:

• Gobbledygook
• Mumbo Jumbo
• The Indistinctness of Their Own Conceptions
• The Style Is the Man

The Knowledge of Words

 John Earle, English Prose; Its Elements, History, and Usage (London: Smith, Elder & Co., 1890), p. 34:

The knowledge of words in their mental incidence and artistic effect is something that must be gained slowly by long experience, because it is numerically extensive, it is multitudinous, it is not capable of being reduced to heads or rules, but must depend upon the stores of memory, and the culture of the perceptive faculty. Hence the need of constant acquaintance and familiarity with the best authors.

A page from Earle's "Table of Trilogies"