10 September 2014

Photographs and Paintings

Bliss Carman, "Realism in Letters," The Friendship of Art (Boston: L.C. Page & Co., 1904), pp. 120-121:
As we go about this lovely world, scenes and incidents attract us and enchant us for a moment or for longer. And these scenes we delight to recall. We travel, and we bring home photographs of the places we have visited, reminders of our happy hours. It would seem that nothing could be more faithful than these mechanically accurate reproductions of the face of nature. And yet they are not wholly satisfying; a fleeting glimpse preserved in a sketch in pencil or water-colour may be far more satisfactory. The photograph reproduces a hundred details which the eye missed when it first came upon the scene; and at the same time misses the charm and the atmosphere with which we ourselves may have endowed the place as we gazed upon it. The sketch, on the other hand, omits these details, just as our eye omitted them originally, and yet preserves the atmosphere of our first delighted vision. Can it be said then that the photograph is more true than the painting? More true to the object, yes; but not more true to our experience of the object. And that is the important thing; that is what art must always aim at.
A related post: A Nice Day