He who lives wisely to himself and to his own heart, looks at the busy world through the loop-holes of retreat, and does not want to mingle in the fray. 'He hears the tumult, and is still.' He is not able to mend it, nor willing to mar it. He sees enough in the universe to interest him without putting himself forward to try what he can do to fix the eyes of the universe upon him. Vain the attempt! He reads the clouds, he looks at the stars, he watches the return of the seasons, the falling leaves of autumn, the perfumed breath of spring, starts with delight at the note of a thrush in a copse near him, sits by the fire, listens to the moaning of the wind, pores upon a book, or discourses the freezing hours away, or melts down hours to minutes in pleasing thought. All this while he is taken up with other things, forgetting himself. He relishes an author's style, without thinking of turning author. He is fond of looking at a print from an old picture in the room, without teasing himself to copy it. He does not fret himself to death with trying to be what he is not, or to do what he cannot. He hardly knows what he is capable of, and is not in the least concerned whether he shall ever make a figure in the world.
19 December 2016
William Hazlitt, "On Living to One's-Self," Table Talk (London: J. M. Dent, 1908), p. 91:
15 December 2016
Thomas Gray to Thomas Wharton (11 December 1746), The Letters of Thomas Gray, Vol. I (London: George Bell and Sons, 1900), p. 150:
It is a foolish Thing, that one can't only not live as one pleases, but where & with whom one pleases, without Money. Swift somewhere says, that Money is Liberty; & I fear money is Friendship too & Society, and almost every external Blessing. It is a great, tho' ill-natured, Comfort to see most of those, who have it in Plenty, without Pleasure, without Liberty, & without Friends.
14 December 2016
A song attributed to Bernard of Clairvaux, from a 15th century manuscript in the Cambridge University Library (MS Ee, vi.29, fol. 17v [s. XVI]), tr. Robert Kinsman, The Darker Vision of the Renaissance (Berkeley: University of California Press, 1974), p. 54:
Tell me, o mortal man, tell me about the putridity of the worm;The original:
Tell me o flesh, o dust, what good is the glory of flesh?
O mad wretch, why do you take pride in putridity?
Learn what you are, what you will be; remember that you will die.
First you were sperm, then stench, then food for worms,
Then dust, and thence nothing; what then, does a man have to be proud about?
As the rose pales when it feels the sun draw near,
So man will vanish: now he is, now he has ceased to be.
Dic homo mortalis, dic de putredine vermis;
Dic caro, dic pulvis, quid prodest gloria carnis?
Cur miser insanis, quare putredo superbis?
Disce quod es, quod eris; memor esto quod morieris.
Sperma prius, post factus olens, post vermibus esca,
Post cinis, inde nichil; unde superbit homo?
Ut rosa pallescit cum solem sentit adesse,
Sic homo vanescit: nunc est, nunc defuit esse.
|Harmen Steenwijck, Vanitas (c. 1640)|
12 December 2016
S. P. B. Mais, Why We Should Read (London: Grant Richards, 1921), p. 10:
It is extremely easy to pick holes, to adopt a negative attitude, to call down fire from heaven and make a show with the fists when your enemy is merely an author. That is not my idea of honourable action. If a book is bad (and I agree that most books are), let it die by itself. Professional critics only too frequently remind me of vultures: they crowd round the weak and the dying ready to devour.A related post: Deserving Oblivion
The object of any man who enjoys life is to share his enjoyment with others. If a book appeals to me I want as many people as possible to derive the pleasure that I derived from it.
9 December 2016
Brian Farnworth, Some Practical Advice on Cold Weather Clothing; Technical Note 89-21 (Ottawa: Canadian Defence Research Establishment, 1989), p. 2:
There is a lot of hoopla in advertisements and newspaper articles about some types of materials being better than others. It is usually claimed that because a certain fibre is very fine, or hollow, or natural, or the product of space age technology, that it does the best job of keeping air still. None of this is true. Pretty well all clothing materials do a very good job of keeping air still (as long as the wind doesn't blow through them). A 10 mm thick layer of clothing creates a 10 mm thick layer of still air no matter what the fibres are made of or what shape they are.Ibid., pp. 8-9:
No one has ever demonstrated that wicking fabrics next to the skin have any significant effect on warmth, coolness, wetness or dryness. Many people claim that they feel more comfortable in polypropylene than in cotton.... But then anyone who pays $50 for a set of underwear is not likely to admit he's been taken. The scientific evidence to date says that if you sweat into cotton underwear, you have wet cotton underwear. If you sweat into polypropylene underwear, you have wet polypropylene underwear. The water will not wick away. It may be that you'll find one more comfortable than the other, but neither one will be insulating if it's wet.Hat tip: WoodTrekker
7 December 2016
Henry Trimen, "His Botanical Studies," John Stuart Mill: His Life and Works (Boston: James R. Osgood, 1873), p. 43:
If we would have a just idea of any man's character, we should view it from as many points, and under as many aspects, as we can. The side-lights thrown by the lesser occupations of a life are often very strong, and bring out its less obvious parts into startling prominence. Much especially is to be learned of character by taking into consideration the employment of times of leisure or relaxation; the occupation of such hours being due almost solely to the natural bent of the individual, without the interfering action of necessity or expediency. Most men, perhaps especially eminent men, have a "hobby," — some absorbing object, the pursuit of which forms the most natural avocation of their mind, and to which they turn with the certainty of at least satisfaction, if not of exquisite pleasure. The man who follows any branch of natural science in this way is almost always especially happy in its prosecution; and his mental powers are refreshed and invigorated for the more serious and engrossing if less congenial occupation of his life.
5 December 2016
Found under the "Critical of Persons" entry in Putnam's Handbook of Expression, compiled by Edwin Hamlin Carr (New York: G. P. Putnam's Sons, 1915), pp. 14-18:
- He is a rather crabbed specimen of humanity
- He is a selfish, graceless, thankless person
- A man who never had a taste or emotion but what was sordid
- He has a desert in his mind
- He is a lazy, lolling sort of human
1 December 2016
William Hazlitt, Table Talk (London: J. M. Dent, 1908), pp. 70-71:
Books are less often made use of as 'spectacles' to look at nature with, than as blinds to keep out its strong light and shifting scenery from weak eyes and indolent dispositions. The book-worm wraps himself up in his web of verbal generalities, and sees only the glimmering shadows of things reflected from the minds of others. Nature puts him out. The impressions of real objects, stripped of the disguises of words and voluminous round-about descriptions, are blows that stagger him; their variety distracts, their rapidity exhausts him; and he turns from the bustle, the noise, and glare, and whirling motion of the world about him (which he has not an eye to follow in its fantastic changes, nor an understanding to reduce to fixed principles,) to the quiet monotony of the dead languages, and the less startling and more intelligible combinations of the letters of the alphabet. It is well, it is perfectly well. 'Leave me to my repose,' is the motto of the sleeping and the dead. You might as well ask the paralytic to leap from his chair and throw away his crutch, or, without a miracle, to 'take up his bed and walk,' as expect the learned reader to throw down his book and think for himself. He clings to it for his intellectual support; and his dread of being left to himself is like the horror of a vacuum. He can only breathe a learned atmosphere, as other men breathe common air. He is a borrower of sense. He has no ideas of his own, and must live on those of other people. The habit of supplying our ideas from foreign sources ' enfeebles all internal strength of thought,' as a course of dram-drinking destroys the tone of the stomach. The faculties of the mind, when not exerted, or when cramped by custom and authority, become listless, torpid, and unfit for the purposes of thought or action. Can we wonder at the languor and lassitude which is thus produced by a life of learned sloth and ignorance; by poring over lines and syllables that excite little more idea or interest than if they were the characters of an unknown tongue, till the eye closes on vacancy, and the book drops from the feeble hand! I would rather be a wood-cutter, or the meanest hind, that all day 'sweats in the eye of Phoebus, and at night sleeps in Elysium,' than wear out my life so, 'twixt dreaming and awake.